Worldview Questions for Summer Blockbusters

What questions will you ask of the movies you watch this summer? As you dive your hand into the bottomless tub of buttered popcorn, will you even think about what the movie is teaching about man and meaning? Here’s a list to get you started.

The list comes from John Frame, one of my favorite living philosopher and theologians. He’s published a digital version of his booklet Theology at the Movies on his blog.  You can read the entire piece here. I first learned of the Frame’s movie questions from a blog post by Justin Taylor at Between Two Worlds. In keeping with the movie motif, here’s a preview of 3 of Frame’s 12 questions:

1. Who wrote the film? Who produced it? Who directed it? Do we know through the writings and previous work of these people anything about their philosophy of life? The previous works of actors are also important. Actors contribute much to the quality of a film, little to its fundamental conception. But actors do tend to sign on to projects with which they have some ideological affinity (assuming financial rewards are not otherwise determinative). Mel Gibson almost never takes on films with a heavy sexual element; Mickey Rourke almost always does. The presence of certain actors, granting that they sometimes go “against type,” can tell you something about the message of a film.

2. Is it well-made, aesthetically? Are the production and acting values of high quality? These factors may have little to do with the “message.” But they do tend to determine the extent of the film’s cultural impact, and that is important for our purposes. If a film is well-made, it can have a large impact upon the culture for good or ill. (Of course some bad films also have a major impact!)

3. Is it honest, true to its own position? This is another mark of “quality.” Generally speaking, an honest film, regardless of its point of view, will have a larger cultural impact than one which blunts its points.

Read the rest of the questions with access to the entire booklet here